The Girl on the Train: A Novel
The Girl on the Train: Chapter 2

One year earlier

WEDNESDAY, MAY 16, 2012

MORNING

I can hear the train coming; I know its rhythm by heart. It picks up speed as it accelerates out of Northcote station and then, after rattling round the bend, it starts to slow down, from a rattle to a rumble, and then sometimes a screech of brakes as it stops at the signal a couple hundred yards from the house. My coffee is cold on the table, but I’m too deliciously warm and lazy to bother getting up to make myself another cup.

Sometimes I don’t even watch the trains go past, I just listen. Sitting here in the morning, eyes closed and the hot sun orange on my eyelids, I could be anywhere. I could be in the south of Spain, at the beach; I could be in Italy, the Cinque Terre, all those pretty coloured houses and the trains ferrying the tourists back and forth. I could be back in Holkham, with the screech of gulls in my ears and salt on my tongue and a ghost train passing on the rusted track half a mile away.

The train isn’t stopping today, it trundles slowly past. I can hear the wheels clacking over the points, can almost feel it rocking. I can’t see the faces of the passengers and I know they’re just commuters heading to Euston to sit behind desks, but I can dream: of more exotic journeys, of adventures at the end of the line and beyond. In my head, I keep travelling back to Holkham; it’s odd that I still think of it, on mornings like this, with such affection, such longing, but I do. The wind in the grass, the big slate sky over the dunes, the house infested with mice and falling down, full of candles and dirt and music. It’s like a dream to me now.

I feel my heart beating just a little too fast.

I can hear his footfall on the stairs, he calls my name.

“You want another coffee, Megs?”

The spell is broken, I’m awake.

EVENING

I’m cool from the breeze and warm from the two fingers of vodka in my martini. I’m out on the terrace, waiting for Scott to come home. I’m going to persuade him to take me out to dinner at the Italian on Kingly Road. We haven’t been out for bloody ages.

I haven’t got much done today. I was supposed to sort out my application for the fabrics course at St. Martins; I did start it, I was working downstairs in the kitchen when I heard a woman screaming, making a horrible noise, I thought someone was being murdered. I ran outside into the garden, but I couldn’t see anything.

I could still hear her, though, it was nasty, it went right through me, her voice really shrill and desperate. “What are you doing? What are you doing with her? Give her to me, give her to me.” It seemed to go on and on, though it probably only lasted a few seconds.

I ran upstairs and climbed out onto the terrace and I could see, through the trees, two women down by the fence a few gardens over. One of them was crying—maybe they both were—and there was a child bawling its head off, too.

I thought about calling the police, but it all seemed to calm down then. The woman who’d been screaming ran into the house, carrying the baby. The other one stayed out there. She ran up towards the house, she stumbled and got to her feet and then just sort of wandered round the garden in circles. Really weird. God knows what was going on. But it’s the most excitement I’ve had in weeks.

My days feel empty now I don’t have the gallery to go to any longer. I really miss it. I miss talking to the artists. I even miss dealing with all those tedious yummy mummies who used to drop by, Starbucks in hand, to gawk at the pictures, telling their friends that little Jessie did better pictures than that at nursery school.

Sometimes I feel like seeing if I can track down anybody from the old days, but then I think, what would I talk to them about now? They wouldn’t even recognize Megan the happily married suburbanite. In any case, I can’t risk looking backwards, it’s always a bad idea. I’ll wait until the summer is over, then I’ll look for work. It seems like a shame to waste these long summer days. I’ll replace something, here or elsewhere, I know I will.

TUESDAY, AUGUST 14, 2012

MORNING

I replace myself standing in front of my wardrobe, staring for the hundredth time at a rack of pretty clothes, the perfect wardrobe for the manager of a small but cutting-edge art gallery. Nothing in it says “nanny.” God, even the word makes me want to gag. I put on jeans and a T-shirt, scrape my hair back. I don’t even bother putting on any makeup. There’s no point, is there, prettying myself up to spend all day with a baby?

I flounce downstairs, half spoiling for a fight. Scott’s making coffee in the kitchen. He turns to me with a grin, and my mood lifts instantly. I rearrange my pout to a smile. He hands me a coffee and kisses me.

There’s no sense blaming him for this, it was my idea. I volunteered to do it, to become a childminder for the people down the road. At the time, I thought it might be fun. Completely insane, really, I must have been mad. Bored, mad, curious. I wanted to see. I think I got the idea after I heard her yelling out in the garden and I wanted to know what was going on. Not that I’ve asked, of course. You can’t really, can you?

Scott encouraged me—he was over the moon when I suggested it. He thinks spending time around babies will make me broody. In fact, it’s doing exactly the opposite; when I leave their house I run home, can’t wait to strip my clothes off and get into the shower and wash the baby smell off me.

I long for my days at the gallery, prettied up, hair done, talking to adults about art or films or nothing at all. Nothing at all would be a step up from my conversations with Anna. God, she’s dull! You get the feeling that she probably had something to say for herself once upon a time, but now everything is about the child: Is she warm enough? Is she too warm? How much milk did she take? And she’s always there, so most of the time I feel like a spare part. My job is to watch the child while Anna rests, to give her a break. A break from what, exactly? She’s weirdly nervous, too. I’m constantly aware of her, hovering, twitching. She flinches every time a train passes, jumps when the phone rings. “They’re just so fragile, aren’t they?” she says, and I can’t disagree with that.

I leave the house and walk, leaden-legged, the fifty yards along Blenheim Road to their house. No skip in my step. Today, she doesn’t open the door, it’s him, the husband. Tom, suited and booted, off to work. He looks handsome in his suit—not Scott handsome, he’s smaller and paler, and his eyes are a little too close together when you see him up close, but he’s not bad. He flashes me his wide, Tom Cruise smile, and then he’s gone, and it’s just me and her and the baby.

THURSDAY, AUGUST 16, 2012

AFTERNOON

I quit!

I feel so much better, as if anything is possible. I’m free!

I’m sitting on the terrace, waiting for the rain. The sky is black above me, swallows looping and diving, the air thick with moisture. Scott will be home in an hour or so, and I’ll have to tell him. He’ll only be pissed off for a minute or two, I’ll make it up to him. And I won’t just be sitting around the house all day: I’ve been making plans. I could do a photography course, or set up a market stall, sell jewellery. I could learn to cook.

I had a teacher at school who told me once that I was a mistress of self-reinvention. I didn’t know what he was on about at the time, I thought he was putting me on, but I’ve since come to like the idea. Runaway, lover, wife, waitress, gallery manager, nanny, and a few more in between. So who do I want to be tomorrow?

I didn’t really mean to quit, the words just came out. We were sitting there, around the kitchen table, Anna with the baby on her lap, and Tom had popped back to pick something up, so he was there, too, drinking a cup of coffee, and it just seemed ridiculous, there was absolutely no point in my being there. Worse than that, I felt uncomfortable, as if I was intruding.

“I’ve found another job,” I said, without really thinking about it. “So I’m not going to be able to do this any longer.” Anna gave me a look—I don’t think she believed me. She just said, “Oh, that’s a shame,” and I could tell she didn’t mean it. She looked relieved. She didn’t even ask me what the job was, which was a relief, because I hadn’t thought up a convincing lie.

Tom looked mildly surprised. He said, “We’ll miss you,” but that’s a lie, too.

The only person who’ll really be disappointed is Scott, so I have to think of something to tell him. Maybe I’ll tell him Tom was hitting on me. That’ll put an end to it.

THURSDAY, SEPTEMBER 20, 2012

MORNING

It’s just after seven, it’s chilly out here now, but it’s so beautiful like this, all these strips of garden side by side, green and cold and waiting for fingers of sunshine to creep up from the tracks and make them all come alive. I’ve been up for hours; I can’t sleep. I haven’t slept in days. I hate this, hate insomnia more than anything, just lying there, brain going round, tick, tick, tick, tick. I itch all over. I want to shave my head.

I want to run. I want to take a road trip, in a convertible, with the top down. I want to drive to the coast—any coast. I want to walk on a beach. Me and my big brother were going to be road trippers. We had such plans, Ben and I. Well, they were Ben’s plans mostly—he was such a dreamer. We were going to ride motorbikes from Paris to the Côte d’Azur, or all the way down the Pacific coast of the USA, from Seattle to Los Angeles; we were going to follow in Che Guevara’s tracks from Buenos Aires to Caracas. Maybe if I’d done all that, I wouldn’t have ended up here, not knowing what to do next. Or maybe, if I’d done all that, I’d have ended up exactly where I am and I would be perfectly contented. But I didn’t do all that, of course, because Ben never got as far as Paris, he never even made it as far as Cambridge. He died on the A10, his skull crushed beneath the wheels of an articulated lorry.

I miss him every day. More than anyone, I think. He’s the big hole in my life, in the middle of my soul. Or maybe he was just the beginning of it. I don’t know. I don’t even know whether all this is really about Ben, or whether it’s about everything that happened after that, and everything that’s happened since. All I know is, one minute I’m ticking along fine and life is sweet and I want for nothing, and the next I can’t wait to get away, I’m all over the place, slipping and sliding again.

So, I’m going to see a therapist! Which could be weird, but it could be a laugh, too. I’ve always thought that it might be fun to be Catholic, to be able to go to the confessional and unburden yourself and have someone tell you that they forgive you, to take all the sin away, wipe the slate clean.

This is not quite the same thing, of course. I’m a bit nervous, but I haven’t been able to get to sleep lately, and Scott’s been on my case to go. I told him I replace it difficult enough talking to people I know about this stuff—I can barely even talk to him about it. He said that’s the point, you can say anything to strangers. But that isn’t completely true. You can’t just say anything. Poor Scott. He doesn’t know the half of it. He loves me so much, it makes me ache. I don’t know how he does it. I would drive me mad.

But I have to do something, and at least this feels like action. All those plans I had—photography courses and cookery classes—when it comes down to it, they feel a bit pointless, as if I’m playing at real life instead of actually living it. I need to replace something that I must do, something undeniable. I can’t do this, I can’t just be a wife. I don’t understand how anyone does it—there is literally nothing to do but wait. Wait for a man to come home and love you. Either that or look around for something to distract you.

EVENING

I’ve been kept waiting. The appointment was for half an hour ago, and I’m still here, sitting in the reception room flicking through Vogue, thinking about getting up and walking out. I know doctors’ appointments run over, but therapists? Films have always led me to believe that they kick you out the moment your thirty minutes are up. I suppose Hollywood isn’t really talking about the kind of therapist you get referred to on the National Health Service.

I’m just about to go up to the receptionist to tell her that I’ve waited long enough, I’m leaving, when the doctor’s office door swings open and this very tall, lanky man emerges, looking apologetic and holding out his hand to me.

“Mrs. Hipwell, I am so sorry to have kept you waiting,” he says, and I just smile at him and tell him it’s all right, and I feel, in this moment, that it will be all right, because I’ve only been in his company for a moment or two and already I feel soothed.

I think it’s the voice. Soft and low. Slightly accented, which I was expecting, because his name is Dr. Kamal Abdic. I guess he must be midthirties, although he looks very young with his incredible dark honey skin. He has hands I could imagine on me, long and delicate fingers, I can almost feel them on my skin.

We don’t talk about anything substantial, it’s just the introductory session, the getting-to-know-you stuff; he asks me what the trouble is and I tell him about the panic attacks, the insomnia, the fact that I lie awake at night too frightened to fall asleep. He wants me to talk a bit more about that, but I’m not ready yet. He asks me whether I take drugs, drink alcohol. I tell him I have other vices these days, and I catch his eye and I think he knows what I mean. Then I feel as if I ought to be taking this a bit more seriously, so I tell him about the gallery closing and that I feel at a loose end all the time, my lack of direction, the fact that I spend too much time in my head. He doesn’t talk much, just the occasional prompt, but I want to hear him speak, so as I’m leaving I ask him where he’s from.

“Maidstone,” he says, “in Kent. But I moved to Corly a few years back.” He knows that wasn’t what I was asking; he gives me a wolfish smile.

Scott is waiting for me when I get home, he thrusts a drink into my hand, he wants to know all about it. I say it was OK. He asks me about the therapist: did I like him, did he seem nice? OK, I say again, because I don’t want to sound too enthusiastic. He asks me whether we talked about Ben. Scott thinks everything is about Ben. He may be right. He may know me better than I think he does.

TUESDAY, SEPTEMBER 25, 2012

MORNING

I woke early this morning, but I did sleep for a few hours, which is an improvement on last week. I felt almost refreshed when I got out of bed, so instead of sitting on the terrace I decided to go for a walk.

I’ve been shutting myself away, almost without realizing it. The only places I seem to go these days are to the shops, my Pilates classes and the therapist. Occasionally to Tara’s. The rest of the time, I’m at home. It’s no wonder I get restless.

I walk out of the house, turn right and then left onto Kingly Road. Past the pub, the Rose. We used to go there all the time; I can’t remember why we stopped. I never liked it all that much, too many couples just the right side of forty drinking too much and casting around for something better, wondering if they’d have the courage. Perhaps that’s why we stopped going, because I didn’t like it. Past the pub, past the shops. I don’t want to go far, just a little circuit to stretch my legs.

It’s nice being out early, before the school run, before the commute gets going; the streets are empty and clean, the day full of possibility. I turn left again, walk down to the little playground, the only rather poor excuse for green space we have. It’s empty now, but in a few hours it will be swarming with toddlers, mothers and au pairs. Half the Pilates girls will be here, head to toe in Sweaty Betty, competitively stretching, manicured hands wrapped around their Starbucks.

I carry on past the park and down towards Roseberry Avenue. If I turned right here I’d go up past my gallery—what was my gallery, now a vacant shop window—but I don’t want to, because that still hurts a little. I tried so hard to make a success of it. Wrong place, wrong time—no call for art in suburbia, not in this economy. Instead, I turn right, past the Tesco Express, past the other pub, the one where people from the estate go, and back towards home. I can feel butterflies now, I’m starting to get nervous. I’m afraid of bumping into the Watsons, because it’s always awkward when I see them; it’s patently obvious that I don’t have a new job, that I lied because I didn’t want to carry on working for them.

Or rather, it’s awkward when I see her. Tom just ignores me. But Anna seems to take things personally. She obviously thinks that my short-lived career as a nanny came to an end because of her or because of her child. It actually wasn’t about her child at all, although the fact that the child never stops whinging did make her hard to love. It’s all so much more complicated, but of course I can’t explain that to her. Anyway. That’s one of the reasons I’ve been shutting myself away, I suppose, because I don’t want to see the Watsons. Part of me hopes they’ll just move. I know she doesn’t like being here: she hates that house, hates living among his ex-wife’s things, hates the trains.

I stop at the corner and peer into the underpass. That smell of cold and damp always sends a little shiver down my spine, it’s like turning over a rock to see what’s underneath: moss and worms and earth. It reminds me of playing in the garden as a child, looking for frogs by the pond with Ben. I walk on. The street is clear—no sign of Tom or Anna—and the part of me that can’t resist a bit of drama is actually quite disappointed.

EVENING

Scott’s just called to say he has to work late, which is not the news I wanted to hear. I’m feeling edgy, have been all day. Can’t keep still. I need him to come home and calm me down, and now it’s going to be hours before he gets here and my brain is going to keep racing round and round and round and I know I’ve got a sleepless night coming.

I can’t just sit here, watching the trains, I’m too jittery, my heartbeat feels like a flutter in my chest, like a bird trying to get out of a cage. I slip my flip-flops on and go downstairs, out of the front door and on to Blenheim Road. It’s around seven thirty—a few stragglers on their way home from work. There’s no one else around, though you can hear the cries of kids playing in their back gardens, taking advantage of the last of the summer sunshine before they get called in for dinner.

I walk down the road, towards the station. I stop for a moment outside number twenty-three and think about ringing the doorbell. What would I say? Ran out of sugar? Just fancied a chat? Their blinds are half open, but I can’t see anyone inside.

I carry on towards the corner and, without really thinking about it, I continue down into the underpass. I’m about halfway through when the train runs overhead, and it’s glorious: it’s like an earthquake, you can feel it right in the centre of your body, stirring up the blood. I look down and notice that there’s something on the floor, a hair band, purple, stretched, well used. Dropped by a runner, probably, but something about it gives me the creeps and I want to get out of there quickly, back into the sunshine.

On the way back down the road, he passes me in his car, our eyes meet for just a second and he smiles at me.